

I knew the other two paint-slinging galoots would step up, hauling in their own brand of eye-catchers for the gallery to show off to all the dames and blokes strolling in through the gallery doors. I had my own lurid winkers, framed and ready to hang, all tucked in nice and tidy next to the big wall. You gotta be ready with more than words and lines when you live in the big city. You gotta be ready to throw those stories up on the wall for every slinker to stand ready and see.
So I got my sketches all dolled up and ready for the shindig that is happening on the nineteenth. There was no cool breeze this time, no breath of fresh air, just the humid heat of a Southern summer trying to burn its way into my memory. And I knew the other two were settling their scores with the nagging little notions they’d been wrestling over in their studios.
But when we came together, layin’ all those stories scratched out, I knew there wouldn’t be another game in town that could touch us.
Our Pulp Fictions were gonna roost, and all the guys and gals were gonna take notice.
**
Pulp Fictions is an exhibion of artworks lovingly crafted in the style and genres of the old dimestore pulp novels, including crime/detective stories, noir, femme fatales, retro science fiction, horror, and sword & sorcery. All the good stuff you used to be able to buy for a dollar or less. Each artist in this exhibition has put together a series of artworks crafted around the genres they love. The exhibition boasts over 60 artworks on display.
by Robert Bean

by Phillip Rex Huddleston

by Greg Lahti

Since he first discovered the pulpy pages of the comic book in those warm summers as a child, Robert Bean has worked to develop his craft to include not only vibrant and visually stunning images, but character and story as well. He seeks out the image in every story and the story in every image. Fond of some of the greatest illustrators of the twentieth century, Robert has honed his craft to reflect that influence, using bold, clean lines, dynamic black and white compositions, and impactful and brilliant colors in his work.
Robert believes in making a studio practice accessible to anyone willing to make the effort. With this in mind he works hard to break down complex concepts into simple lessons that allow the student to learn through a progression of ideas. He strives to give feedback on student work that is valuable to the student, showing them both the flaws and the successes as a way to help them grow. Robert has spent nearly a decade helping people of all ages and walks of life develop their artistic sensibilities and studio practices.
Being a practicing artist isn’t the easiest path to travel, but it is one full of rewards beyond what you will find in other places. Robert understands the trials and troubles that this kind of career and path can present and works one-on-one with artists to help them see the curves in the road before they come upon them. Through this individualized mentorship Robert helps artists to plan, organize, budget, and make sure their practice is heading in the direction they want it to go. Encouraging and positive, Robert works to make sure those he is mentoring become the best practicing artist they can be.
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